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The co-directors of the documentary series Kanye West told about the shooting of the rapper’s life for 18 years – Entertainment News, Firstpost

During the premiere of “Jin-Yu” on Netflix, directorial duo Kudi and Chick discuss the long-running documentary series, the ups and downs of living together with Megaslova, as well as Kanye West’s last-minute demands for the final version of the film.

Gin-yuh: Kanye trilogy, Netflix’s three-part documentary about the rise of Kanye West, doesn’t stop and seeks to fix a record on the rapper’s most famous celebrity cases. George W. Bush, Taylor Swift, Donald Trump and Kim Kardashian are hardly considered. After all, there has never been a shortage of the West to analyze its own suffering.

Instead, relying on random footage that tells of the beginning and immediately after West’s 2004 debut album Graduation from college, the film, which lasted more than four hours, lingers on quieter moments to glory: conversations with the mother, Donda, about the difference between confidence and pride; despair at trying to play his demo disc for disinterested peers; a more respected artist who averts West’s orthodontics.

Behind the camera all the time was Clarence Simmons, a stand-up comedian who became a director known as Kudi, who, along with his creative partner, Chick Oz, has been collecting West videos for more than 20 years. But it wasn’t always the plan.

Originally conceived as Fr. Dream HoopThe documentary was to end in the early 2000s with West, who is now legally known for his old nickname, I. – won his first Grammy Award. But as West transformed from a botanical Chicago beatmaker for Jay-Z into a polarizing, defining era performer in music, fashion and more, he broke away from Kudi, an old neighbor friend, and changed his mind about the project, leaving hundreds of hours of tape in suspense. becomes.

After some false starts and brief reconciliations, the directorial duo of Kudi and Chike, as they are credited, have finally found traction – and more time with West – in recent years amid another surge of controversy. West’s mental health struggle is catastrophic The 2020 presidential raceand a recent album named after his deceased mother will all get some airtime in the third episode.

However the core of Jean-Juchs remains only an image of West’s chrysalis years, and Kudi fills in the gaps in time, telling his own story of personal metamorphoses and creative ambitions. “This is not the final story of Kanye West, this is a story told from the most unique perspective,” said Ian Orefis, president of Time Studios, who co-produced the project.

On the eve of Wednesday’s premiere of the first episode, Kudi and Chick discussed the long-running documentary series, the ups and downs of living together with Megaslav, as well as West’s demands for the final version of the film. These are edited excerpts from the conversation.

The documentary series starts with the fact that you always knew West would make it great. What first convinced you that he would be a star?

Where: It started with its production. But then I kept coming across Kanye, and I remember him performing with his band Go Getters. He just commanded the stage. I said, “That dude! He is the only producer. ” Then I saw how much he loved the camera. He was loving camera. He wanted to rap for anyone, and it was as if he was performing in front of a thousand people, but it’s only one person and he’s rap for them.

What was West’s original reason for not releasing the film at the time? In the footage, he is very happy to tell people that you are making a documentary.

Where: He said, “Man, I don’t want anyone to see me real.” He said, “I’m acting now.” It was too intimate. But I feel like the reason he loved me by shooting him in the beginning was just that I was such a dude. I was popular in Chicago – cool, funny.

Chick: You instantly brought value to his brand in Chicago by simply deciding to put it on Channel Zero [Coodie’s original hip-hop show on public access television].

Where: The biggest ambition was for him to win a Grammy, and I wanted to follow him to see that. But it’s definitely a blessing that it didn’t work out, because I didn’t know what I was doing at all.

How was it to watch him rise from a greater distance?

Where: I was so proud to see him do all the work he did. But then I also felt overwhelmed. For example, when he went to Oprah, I said, “I want to meet Oprah!”

Chick: It’s not all peach and pure. I think the case is with everyone who rises to fame like this. Kudi and I felt what it was like when strangers came and started fighting for the position. We had such an atmosphere of Brian Barber and Outkast for a moment – as if we would get up together and make all these music videos. But as it got bigger, more and more people started coming in and you were just being pushed out. Luckily, Kudi and I had a relationship and connection, and we were able to find creativity elsewhere.

At the time, did you think the project was dead or did you always think you would return to it eventually?

Where: I felt that someday we would come back to this.

I used to watch all the mini-DVs, and the more it got, I knew how much more valuable my footage would be: one day in God’s time it would happen.

He seated us at a table in Chris Jenner’s house, just before that Pablo [the Life of Pablo album in 2016], he said, “Man, you know, I don’t understand much.” He asked us to be his voice. We thought it was time to release a documentary so people could see the real Kanye. At the time, he was working with Scooter Braun, and we were on HBO with him. Then suddenly they had other plans for Kanye. We were right there and it all came to naught.

It seemed to me that Kanye was screaming for help at this point. Immediately after that, he went on a tour of St. Pablo, and that’s when he had a breakdown – he calls it a “breakthrough”. I was very, very worried. I thought we should help him, but we couldn’t because of the forces around him. I was not only worried, but also very angry.

On a practical level, how did you save all these tapes?

Where: I really don’t even. You’ll just see it in bags, shoe boxes.

Chick: But there like golden bricks.

Where: However, he is in storage!

When did you find out you finally had his full buy-in?

Where: When I showed him the hiss. He called me out of nowhere and said he was working on an album about his mom and wanted to use some of my footage. He asked for my blessing and I said, “Oh sure, but I need your blessing on something. I will fly wherever you are. ” His bodyguard called me, “Can you come to the DR tomorrow morning?” When I finally showed him the hiss, he said, “We have to pay it off tomorrow».

In the footage from the Dominican Republic there is a moment when he lets in what some might call Kanye West’s classic saying, and you turn off the camera. Why?

Where: I felt the need to pay attention. I never filmed it like that. When I shoot him, he is with me in a way – he himself. At the time, he was not himself. If you are taking medication, you should not drink alcohol. I knew Kanye shouldn’t drink. It so happened that he had a drink in his hand. I wasn’t going to interrupt this business meeting to say anything, but I somehow wanted to. Something seemed to have happened right after that drink. I said, “Forget this camera, my brother is here.”

Kanye West

If the film was in motion, how much did he want to be involved, and how much did you want him to be involved?

Where: He said, “Come on, and you do it,” and I told him, “You have to trust me with this.” This implies a lack of creative control. I said, “That wouldn’t be true if you had.” He got it all. And that was all.

Then you get to the line in one yard, in over 20 years, and he drops a bomb on Instagram about the desire for a final incision.

Where: I almost fainted [laughs]. It was my birthday – January 18. He didn’t publish it then, but I get text messages. I say, “What? We’re done! ”

On his birthday [in June], I drove to Los Angeles with a rough slice of the movie to show him. I said the only way to watch this movie is with everyone who was there in the beginning who loves you. So they took the house, I had everything ready – let’s laugh, cry, hug I. But he went to the south of France, and it did not happen. Then my birthday, I get this text – the next thing I know, I look up, and here comes everyone with the cake. “Happy birthday to you!”

He asked again about getting into the editorial?

Where: No, his process is to get people to watch it, so we showed them the movie. I asked Kanye, “Did you watch the movie?” And he said it was not his process.

In the films we made, no one had the final version. We did Martin Luther King – there was no final cut in the family. We did Muhammad Ali – they didn’t. Stephen Marbury did not see his documentary until it aired on Tribeca. Our intentions are pure, and that’s really all that matters.

Do you have favorite things from the cutting floor that you just couldn’t squeeze in there no matter how much you wanted to?

Chick: There is a scene when Kanye returns to Chicago to speak in memory of the people who died in the E2 tragedy [a stampede at a Chicago nightclub]. When he gets there, he ends up having to negotiate with another rapper. He almost cracked the bottle over his head – it becomes quite ugly. It could have gone somewhere worse. And Kanye is not even that type of artist! But he still can’t escape the street mentality. And that has to do with the bit that Jay-Z eventually got, which helped advance Kanye’s career.

Where: It was’Will never change ‘ on ‘Blank.He sold the Jay-Z track to which he sold [Chicago rapper] Wages too. Wages wrote a hook: “On the street, the same clothes all day.” Kanye made it clear to Payroll that he was going to sell it, but he also hooked Payroll. Kanye took care of the salary after that, but the salary was such wait… He said, “Kanye, you have to give me more.” I tell them no! But beef was good for them too.

Inside Jeenyuhs Kanye West documentary filmmakers talk about rappers' lives for 18 years

Kim Kardashian West and Kanye West

West is back in the tabloids these days because of him divorce. When you see this hurricane side of his celebrity life, do you worry about him?

Where: I used to be worried, but I know God is covering for him. He almost died in a car accident a couple of times – he was involved in an accident in Chicago before he moved to New York, overturned a truck. A couple more incidents I’ve seen – God really cares about him, for whatever reason. If I see it now, I think it will pass like everything else.

The premiere of “Jin-yuh: Kanye Trilogy” will take place on Netflix on February 16th.

Joe Cascarelli around 2022. The New York Times Company

The co-directors of the documentary series Kanye West told about the shooting of the rapper’s life for 18 years – Entertainment News, Firstpost

Source link The co-directors of the documentary series Kanye West told about the shooting of the rapper’s life for 18 years – Entertainment News, Firstpost

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