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Review of Texas Chainsaw Massacre: Lovers of Bloody and Cultural Wars Like Netflix Horror Movie | Hollywood

Texas Chainsaw Massacre by David Blue Garcia, broadcast Netflix, is the ninth film in a series featuring Leather Face, a mad killer who uses a chainsaw to decapitate his victims, and wears their faces as masks. Garcia’s film shares its title with the series ’first film, a 1974 horror classic directed by the director Tob Hooperas well as the 2003 remake of the same name. I guess the 2022 film will appeal to two types of viewers.

First, blood lovers. And then a guy who loves cultural commentary like what you see in HBO’s continuity. Being a mountaineer with an active interest in cultural wars, I enjoyed rebooting Garcia. This may also appeal to the brand new demographic group Gen-Z, which has not previously watched any of the films Leather Face. But I’m not too sure. Garcia’s film doesn’t really show them as a model of virtue. They look smug, self-sufficient, stupid.

So whether the 2022 Texas Chainsaw Massacre will work depends entirely on values ​​and tastes in movies and politics. This is a warning before reading on.

Plot: Four young men make their way to the Texas city of Harlow, a kind of muted place where you find cannibalistic, unpretentious types of killers looking for city players to trap and torture.

Dante (Jacob Latimore), the chef, and Melody (Sarah Yarkin), his professional partner, are influential people on social media. (You already hate them, don’t you?) Dante has a girlfriend, Ruth (Nell Hudson). The most interesting of the fate – the sister of Melody Lila, played by Elsie Fisher, who was incredibly grand in Bo Burnham’s film “Eighth Grade” in 2018. Lila survived the school shooting. So she is mostly quiet and doesn’t feel the need to talk much and annoy the viewer.

Their mission is to buy and sell Harlow to make it a haven for young creators and professionals. Is this a good idea? Lila shows that it is miles from the city. But no one is in the mood to listen to her. Cultural commentary, as I mentioned earlier, is one of the reasons why I liked the film. Just an example: Dante, who is black, notices a Confederate flag hanging on a building they are supposed to sell. Instead of expressing sadness or resentment, he is concerned about what it will look like for his waking “investors” who are going to drop by in a few hours to survey the place.

Citizens naturally feel hostility towards Dante and company, but they just want to have money and move on. Macho mechanic Richter (Moe Dunford) calmly endures these characters. He carries a gun all the time, listens to heavy metal, a man who earns physical labor. Naturally, Melody finds this toxic masculinity 101. When Richter and Melody’s sister Lila are about to begin to form an unlikely friendship, the picture includes Leather Face. He wreaks havoc on the group and their friends and fellow yaps. It’s fun to watch.

Frame from the Texas Chainsaw Slaughterhouse.

Where did Leatherface come from? Watch the movie to find out. Also returning is Sally Hardy, the only survivor of Hooper’s first film in which she played the main character. Since then, Sally has occasionally appeared in the series as a minor character. This is the first time since 1974 that Sally has starred. (Garcia’s film recommends the series; for example, it turned out that Sally died in 1990). In Hooper’s film Sally (Marilyn Burns) was fragile and easily frightened. Fifty years later, Sally, now played by Olwen Fourier, is a hardened ranger who has vowed to kill Leather Face and avenge the deaths of his friends. Awaiting the delicious action.

Garcia understands that the MVP of these films is Leatherface. The script by Fede Alvarez and Rod Sayages gives him a bunch of good scenes. Halfway through the film there is a particularly remarkable one in which Leather Face finds its iconic chainsaw after breaking down a wall. Writers and the director understand the legendary status of this monster, and do it right. The strengths of Alvarez and Sayages are naturally suitable for this series. They previously collaborated on the film “Don’t Breathe” (2016), a wonderful horror thriller about young people breaking into a house that turns out to be hell on earth.

Also read: Review of Chhorii: Feminist Heroine Nushratt Bharucci Shows Rural Horrors in Their Place

Hooper’s film, of course, will always remain the best, because Hooper took this premise very seriously. What if people like me and readers of this review really find themselves in a remote village or town and encounter a rabid, cannibalistic family? The 1974 film was brutal, minimalist and unsentimental. The horror was reported without exaggeration.

However, Hooper turned the whole tone of the first film in the 1986 sequel, which unfolds as an ironic dark comedy. Since then, the series has struggled to return to its origins. Garcia’s film found an almost equal balance between the seriousness of Hooper’s original and the irony and self-awareness naturally present in the material. The last shot was hilarious. Again the surviving woman looks back at Leather Face as she runs away, but this time she is in the car.

Texas Chainsaw Massacre
Director: David Blue Garcia
Cast: Elsie Fisher, Sarah Yarkin, Mark Burnham

Review of Texas Chainsaw Massacre: Lovers of Bloody and Cultural Wars Like Netflix Horror Movie | Hollywood

Source link Review of Texas Chainsaw Massacre: Lovers of Bloody and Cultural Wars Like Netflix Horror Movie | Hollywood

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