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Marilyn Monroe, rising star who has been dubbed Hollywood’s ‘wolf’ is not the ‘blonde’ of Netflix’s cyclical tale of sex and tragedy

Marilyn Monroe once said, “Don’t be joking.

Netflix latest movie “Blonde” It tries to do exactly what it purports to smear: reduce the golden Hollywood phenomenon of Marilyn Monroe to just sex and tragedy. It’s a grotesque resurrection of Monroe, repeatedly dehumanizing her, obliterating her personality and other aspects of her life, resembling torture porn and decidedly unpleasant to watch. is. The film is a cycle of sex, rape, abortion, and an outburst of instability that strips Monroe of her agency as she craves approval from the men in her life. I hope they become her father figure to her. In short, the blonde seems to enjoy making Monroe an attractive victim.

In an attempt to “fictionize” her life, the blonde becomes a vehicle to market all the hyped and demeaning controversies surrounding the star. Because it is so utterly graphic as to be “artistic,” it produces shocking value under the guise of being realistic, and provides an offensive and radical justification. From House of the Dragons to Blondes, it’s most women who have little to no agency in such shows and movies who are abused, pawned and humiliated.

Blonde approaches Monroe’s frayed sanity, over-emphasizing her body but never delving into her mind. I miss it completely. This fictionalized heatstroke dream has some limitations. One of them is her actual journey through her cervix as she performs an abortion, and her iconic dress blows up during the filming of Seven Year Itch. There are repeated shots that focus only on the pubic area of ​​the body, followed by an extensive scene of hungry men cheering and performing oral sex at the end. It pains me to see Marilyn Monroe being abused and exploited by the Hollywood machine.

Before MeToo

We know how brooding Hollywood is. For years, Monroe’s biographers have written about rumors surrounding her stardom and a book said to be sleeping her way to the top. It’s a story that has endured over the years, and Blonde continued the tradition. forgot to We see her being abused by men, but she never denounces them in the articles she writes.In her 1953, 60 years before #MeToo shook Hollywood, she wrote, It was Monroe who exposed Hollywood’s pernicious female environment in “The Wolf I Know”. Even though she was still a rising star and had only a handful of movies, she called out mean men she met in Hollywood. There were many wolves Monroe had to contend with, wolves who would send gifts in exchange for sexual favors, and in some cases, when she refused, she was taken out of her contract.

It was a constant struggle with herself, and Monroe admitted that she hadn’t completely avoided the casting couch. I slept with the producer. I’d be lying if I said I didn’t. She’s not that she was a pioneer in women’s rights, but she was still ahead of her time.

Still, she was well aware of Hollywood’s ugliness, which made her worry about other women. said, ‘Watch out for wolves in Hollywood, honey…if you don’t get what they want, they’re going to drop your contract.'” No, we’re just watching the suicide of a broken and battered woman desperately working on her life, messing up relationships, becoming depressed, and eventually “reunited” with her father figure. .

The Many Sides of Monroe

Sarah Churchwell — One of the few biographers to actually do her homework on Marilyn Monroe, she delved deep into Monroe’s true personality in her 2004 book The Many Lives Of Marilyn Monroe. She worked to debunk the many myths surrounding Monroe, starting with her fragile and “stupid blonde” image. There are different images. Monroe’s life was a struggle, yes, but she wasn’t always so hysterical and at the mercy of men, nor was she depressed as portrayed in Blonde.

In fact, she possessed an extraordinary wit and a sour sense of humor. One of the most notable examples was when a journalist asked her if she thought Arthur Miller married her because he was looking for a muse. He said he would only respond to the terms. He agreed and she said “no comment.” That’s the mark of a smart woman. Another example is her ability to turn the tables on her interviewer when asked, “Is she the new Marilyn?” But this is another suit. ”

Director Billy Wilder, who was always misinterpreted as a “dumb blonde” for the role she played with such confidence, praised this particular quality in her, calling her “absolutely perfect as a comic actress.” A genius”. As she portrayed, she was far from being “dumb”, but few people understood that.

In fact, Arthur Miller himself wrote an article in the 1958 edition of Life Magazine, highlighting her sense of humor and gaiety. The article titled “My Her Life Her Marilyn” featured several portraits of Marilyn of her Monroe, and Miller described each portrait as having a unique wit. “Like life, like these pictures, she salutes fantasy from the shores of reality, until the moment comes to bring us, reality, and all into a dream with her.” Her wit here consists of an absolute commitment to two opposites that are usually diametrically opposed: true femininity and male fantasy of femininity. “I know you know the difference, but you refuse to admit that there is a contradiction, and it’s both serious and funny at the same time,” he wrote in his typescript. It depicts a fantastical vision of Monroe that is almost astonishing yet vividly realistic and gives a taste of what she really was like.

fight for LGTBQ rights

Monroe was more than the bombshell she was always mentioned in. The blonde never mentions her politics or her stance on LGTBQ rights. We are talking about her 1950s and her 1960s world. She once said, “When two people are in love, who cares what color or taste or religion they have? Two people. Beautiful. Love is beautiful. It’s that simple.” ’” She supported people battling their sexuality. What do they know about it? Label. People love to label each other. Referring to Montgomery Clift, who was harassed for coming out of the closet, Monroe said, “People tried to make me a lesbian. There’s nothing wrong with sex.”

But blondes don’t quite capture this fire, wit, and nuance. It just panders to the overly sexually distorted image of Marilyn Monroe that has been circulating for decades. Monroe continues her resurrection only to be abused and exploited again. It’s unclear if the current production company will be able to capture her iridescence, so she’ll be left alone.



https://indianexpress.com/article/entertainment/hollywood/marilyn-monroe-hollywood-blonde-8189111/ Marilyn Monroe, rising star who has been dubbed Hollywood’s ‘wolf’ is not the ‘blonde’ of Netflix’s cyclical tale of sex and tragedy

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