First. No, this masterpiece was not submitted as his entry for the main character Oscar, the son of a tea merchant who sells tea on the railroad platform of a village in Gujarat.No, it’s not, I repeat, a copy of Giuseppe Tornatore Cinema Paradisobut the basic idea of a little boy bonding with a much older projectionist through cinema has its roots in Italian cinema.
Apart from that, cello show,alias last movie show, has its own delicious, disarming flavor. And I use the expression “delicious taste” most consciously. Gujarati cuisine plays a very important role in the artful study of its glorious influence on cinema and impressionable minds.
The setting is a small, sleepy Gujarati village named Chalala. Writer-director Pan Narin and his cinematographer Swapnir S. Sonawane played Babin Rabari, roaming wild, bright terrain with nine-year-old protagonist Samei. Every time he sees a flickering image on the sooty silver screen, his eyes are filled with excitement.
Samee’s partner is Fazal (Bavesh Shrimali), a projectionist in his 40s who sneaks Samee into the projection room in exchange for his mother’s fine meal.
I have to pause here to say that the scene of Samay’s mother (Richa Meena) looking over the food is the highlight of the film. The culinary ritual becomes a metaphor for diversity in filmmaking as she kneads, cuts, fryes, boils, steams, and cooks various spices and vegetables.
Film and food go hand in hand in Pan Narin’s films. And for growing up with a passion for cinema, thank you to the gods of sensory perception of the spices and intense scents of cinema that run through the veins of this vibrant, robust, passionate and therapeutic film. .
Storytelling is magical at times. In particular, the director captures the compelling imagery on screen, combining it with Samay’s budding knowledge of how movies are made, and the film’s impact on impressionable minds that have never seen the small outside world. Connect influence. village.
“I want to see the light,” Samai says one last time to his caring father (Dipen Laval) before leaving to pursue his dreams. But not before looking with unspeakable sadness. Reels and reels of his beloved and precious films melt into colorful bangles.
Pan Narin’s magical masterpiece teaches us that dreams can take many forms. It can shatter.but those people please do not It inevitably loses its relevance in the process of being rebuilt and renovated.
It’s been years since I’ve seen a film that celebrates the magic of cinema with such vigor and charm. If this movie doesn’t win an Oscar, it’s nothing.
Subhash K Jha is a Patna-based film critic who has been writing about Bollywood long enough to know the Bollywood industry thoroughly. He tweets at @SubhashK_Jha.
https://www.firstpost.com/entertainment/chhello-show-is-the-best-oscar-entry-in-ages-11412401.html Cello show is the best Oscar entry of all time – Entertainment News , Firstpost