In the late 1990s, as the comics industry faltered from bursting bubble speculators, bringing many retailers and distributors out of business, DC Comics quietly experimented with a number of interesting author-centered author concepts, most of which died alone and forgotten . Xerø, a racial militant from Christopher Priest, a pioneer of black comics, best known for his work on Black Pantherwas one such book, published in 12 issues in 1997-1998.
Now the title is for a bigger stage. On friday the news came that Curtis ’film and television company“ 50 Cent ”Jackson’s G-Unit in collaboration with Color Farm Media and Illuminous Media is developing Xerø in the film franchise. And Warner Media, the parent company of DC, which aggressively adapted a pantheon of characters in movies, broadcasts and streaming media, is nowhere to be seen.
The comic, drawn by Chris Cross, tells the story of a black government assassin, or “neighbor,” who can disguise himself as white using bioorganic implants. Coltrane “Train” Walker is a stellar basketball player in St. Louis, and the story tells of his struggle to reconcile his dual identity and regain his black character from programming the white power structure in which he operated. It was intoxicating, powerful material, especially in the 90s, and in fact it was based on a concept that the Priest had nurtured since he was a teenager decades ago.
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What is very unusual, if not unique in this situation, is that Xerø was not part of the adult-oriented DC Vertigo comic book line, where some creators retained at least partial ownership of their characters, e.g. iZombie or Preachernor was it in Paradox Press, published originally by DC’s graphic novel The road of doom. Xerø was part of the established DC universe and interacted with corporate characters, even though Priest was listed as a co-owner of copyright in comic book characters. Character rights returned to the priest in 2016, and the creator could make his own deal.
“Losing DC is our benefit,” said actress / writer / producer Erica Alexander, one of Color Farm Media’s partners. “It always happens: marginalized voices are devalued and underestimated. DC allowed him to return Christopher because they didn’t think it was valuable enough to save, and it worked in Chris’s favor because now, in the post-Black Panther Everyone in the world is looking for real estate with such coverage and relevance.
The DC publisher, who at the time was linked to the story, said he did not remember the details of the company’s deal with Priest or how it was allowed to return Xerø’s rights.
Alexander said the idea of bringing the DC character to the screen without the involvement of DC was for Jackson a huge selling point. “50 is a child at heart, a big fan of DC and Marvel. Everyone else talked about Xerø as a streaming series, but 50 thought of everything and saw its potential as a full-scale franchise. ”
“There’s nothing better than Christopher Priest to bring G-Unit Film & Television into the world of comic book superheroes,” Jackson said. “See how we create Xerø in the franchise together with Christopher and Color Farm Media. I can’t wait for the world to meet Train Walker in a new way. “
“Xerø reflects the slow crash of a car at the intersection of race and class,” the priest said. “The commonality of the struggle, represented by the life experiences of Curtis ‘50 Cent’ Jackson, G-Unit Film & Television and Color Farm, provides a wide depth of first-hand appreciation for this delicate balance. It’s fun to work together to create this new world. “
“Xerø speaks on universal topics,” said Elijah, a longtime comic book editor who now turns to media production. “His duality is a black experience in America, when he has to seem one way to get along in the system and then lose touch with his community. On the one hand, Xero is a complicated spy-adventure story. On the other hand, it’s a study of what it means to have your blackness taken away. It was far ahead than in 1997, and even now it is likely to suffer some feathers. ”
As a DC character comes to the screen without the involvement of Warner Media
Source link As a DC character comes to the screen without the involvement of Warner Media