OVERVIEW: There’s a pink and white wall, mostly an iron fence. It has a gate that is closed and guarded to prevent people from nearby slums to move to the side where educated and wealthy families live. This image, metaphorically, shows the area in which this film dares. This is further emphasized by the final visuals of the film, which shows the plane flying directly over the slums of Mumbai.
Jhund’s Popatra Manjule Award is not a sports biopic, although it follows the usual rhythms of good sports drama. The film is a commentary on what we, as a society, can do to help those who do not have, identify their strengths and cross the line to move to another, brighter side. Vijay Barade of Amitabha (modeled on Vijay Barça, a retired professor of sports Vijay Barça who taught football to countless street children and founded the NGO Slum Football) speaks volumes about this in a crucial part of the film, set in Nagpur. . (Sudhakar Reddy Yakkanti). The camera skillfully describes the urban landscape, especially the jihadis (slums) where most of the film takes place.
Although the processes in this part begin at a modest pace, they quickly raise the wind. Vijay Beard is on the verge of retiring from his job as a sports professor at the college, but is not yet in the mood to hang boots. He is motivated enough to conduct adult education classes in his home for the locals at his own expense. Opposition from his son, who is seeking an education abroad, is obvious but understated. When children in nearby slums attract Vijay’s attention by playing soccer with a plastic barrel, he begins to train them in the game, which gradually distracts them from a life steeped in crime and addiction. But how far does it actually go? Or do they all give up their lives in the dark alleys of crime and drug addiction? Do some or all of them get a chance to jump the other way? All of this and more can be found in the nearly three-hour duration of the film.
As a screenwriter and director, the Popatrio Manjule Award manages to hold attention for most of the film, however in the second half the pace slows down and this can do with tougher editing. In addition, it is unfortunate that the previous interval is rich in energy, and after the interval – dramatic – the balance there could earn the film a few more contract points. In the first half there are a small number of colorful characters, which adds energy and even evokes humor. Although the story addresses several issues, enough effort is being made to show some interesting sports on the field as well. The arcs and story cycles for each character in the spotlight were well thought out; again, it would have a much bigger impact if the editing was more focused.
One of the central elements of the film is the subtlety with which several issues, including caste division, public opinion, class differences, economic differences, and education and women’s rights, are interspersed in the script. The downside is that some of these issues distract the judiciary by disrupting the overall rhythm of the story.
Words are seldom enough to describe how wonderfully Amitabh Bachchan performs the roles he chooses. This time he is a retired professor of sports who, despite obstacles and financial shortcomings, invests himself and his hard-earned money to protect and raise children from the slums of Nagpur. Again, he has a perfect and complete team on every stage where he appears – never overshadowing his team of players, always giving them more strength. Your attention is also drawn to the confidence shown by more than a dozen children and young people, such as Ankush (also Don / Ankush in the film). They hold your attention well. Market Rajguru and Aakash Tosar (seen in “Sairat” Awards), despite the shorter screen time, provide skillful support to other actors.
Summing up, we can say that this is a dramatic sports film in which there may not be exciting moments around every corner, but what it is trying to drive home will definitely hit you hard.
A sports film that tells a lot about the game of life
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